But this means we need materials to put in a bracket. I have some ideas below. If we want to really this be materials and not just chemicals, we probably need to specify structure/processing in addition to composition. So I say Czochralski silicon instead of just “silicon” because that process makes the silicon used in modern electronics. However, I’m not sure if we need to split up related categories of materials more. On the other hand, I’m fine with not 100% specifying composition if changing the elements may be part of processing/design, which comes up a lot with transition metal dichalcogenices and perovskites. But do we need to specify those more into sub-groups that have more consistent crystal structures? (See this recent paper on what exactly IS a perovskite?)
Maybe we don’t need 64 for a first attempt, but 32 might nice. I would love to hear more ideas from people on WordPress and Twitter!
Transition metal dichalcogenides
Perovskites – does this need to be split out more?
Snowflakes (usually) have hexagonal symmetry because this reflects the crystal structure of water molecules in the solid. This old article from Scientific American goes a bit more into the details on the formation of snowflakes, but it’s also something we still don’t entirely understand
The New York times has already run the most whimsical materials science piece of the day and I won’t attempt to top the delightful Caity Weaver. So discover What is Glitter, or aluminum metalized polyethylene terephthalate.
I’ll slightly tweak my rules again, because you know what silver and gold look like, and I actually think it’s interesting to tell people that we have lots of practical uses for them. Gold and silver are transition metals, that special middle part of the periodic table which represents the addition of a new set of electron orbitals (the d-orbitals). Electrons in the d-orbitals are special because they tend to overlap in energy with those in the s- or p-orbitals, helping increase the number of electrons that are free to move. This is actually why gold and silver are shiny – they have electrons that are easily excited and interact with visible light and reflect it back. Gold gets its unique yellow color because its electrons move so fast they actually need to be described by relativity and it shows that their energies decrease (essentially because of their increased relativistic mass at high speed).
You’re probably less familiar with the nanoscale forms of gold and silver. Or you might be with silver because we now use the nanoparticles in lot of things for their antimicrobial properties. Our lab actually makes a lot of metal nanoparticles, and so I can show you a high-resolution image of these particles.
Gold nanoparticles (and many other metals) are neat because they can completely change the color of solutions they are in, often to red in the case of gold. This is different from the yellow we see for large gold pieces because at a very small size, the electrons in the particles have different energy levels than at the macro scale, and so they absorb light from different colors. Old stained glass actually gets its colors from tiny amounts of metallic nanoparticles being incorporated into the glass while it was being formed. We’re still not entirely sure how the nanoparticles were incorporated in stained glass. Theories range from it being caused by poor cleaning of gold residue from the surfaces glass was worked on or contamination in the source materials.
Prince Rupert’s drops are teardrop (or tadpole) shaped pieces of glass made by dropping molten glass into cold water. They are famous for their bizarre strength. You can pound on the head all you want, and it will almost never break, but nick the tail a little bit and it spectacularly explodes.
This turns out to come from the way the drop forms. That initial bit that hits the water cools so fast it actually gets compressed by the cooling, making it stronger, but the tail is basically a path to the weak core. The trippy oil-puddle-esque image above is taken with a special kind of set-up that looks at light that ends up being polarized by stresses within the glass. Prince Rupert’s drops turn out to be technologically important, because efforts to understand them since the 1600s have inspired research into ways to make other kinds of glass stronger, leading to the Gorilla Glass and other toughened glass that now lines our smartphones and many other displays.
Metallic glasses are just what they sound like. Just like how I mentioned yesterday that metals are usually crystals, it turns out we can also try making them into glasses by cooling them so quickly their atoms can’t form an ordered structure. This requires either incredibly fast cooling (on the scale of at least 1000 degrees a second for some compositions) or an interesting work around using a lot of different metals together. It turns out that mixing a bunch of atoms of different sizes makes it harder for them to pack into a neat pattern.
You might wonder why we want to make glass out of metals. It turns out to provide a special property – bounciness. And we literally demonstrate that with “atomic trampolines”. It’s really easy to deform a crystalline metal because that orderly crystal structure makes it easy to slide rows of atoms past each other when you hit them hard enough, just like it’s easy to push a row of desks lined up in a classroom. The glass can’t deform – there’s no preferred direction to push the atoms, so instead the energy just goes back to whatever it hits. This has a cost though – if you hit it too hard, just like regular glass, a metallic glass just shatters instead of accepting a dent. There was initially a lot of hope for them as new materials for the shells of devices like smartphones since they don’t transmit that energy to the components inside, but that’s proved harder to make than hoped. However, you can buy a golf club that takes advantage of the bounciness to essentially transmit all the energy from your swing into the ball. (Going farther back, they evidently also form the basis of most of those theft prevention tags that ring alarms.)
Finally, I’m breaking my rule a bit with this last one by not having an image, but did you know that toffee is also a glass? (Sorry, no one has put toffee under a high-resolution microscope or run it under an X-ray source for weird images for me yet) Or at least good toffee is. That crisp crunch you get from well-made toffee is because of glass shattering. When toffee feels gritty, it is because it has actually started to crystallize and typically has hundreds of little mini-crystals that want to deform. This is why some recipes suggest adding corn syrup. The bigger sugar molecules in corn syrup mixed up with the sucrose in regular table sugar mix up in a way like the metallic glasses above and make it harder for them to set into their crystal structure. Similarly, an early kind of stunt glass for special effects was literally made by boiling sugar into a clear candy.
I’m going to (hopefully) permanently end the popular misconception that glass is a liquid with this post. Glass is not a really slow liquid – it is in fact a solid, based on its flow properties (yay rheology!). But glass is a solid without structure, or in fancy terms, an amorphous solid. Many solids you see are crystalline, not just the pretty stones pop cultures tends to reserve the name “crystal” for. A crystalline material is one where their atoms or molecules are arranged in a repeating 3D pattern. The metals in your car, the silicon in your computer, and the calcium phosphate mineral in your bones are also all crystals because we can see their atoms follow some crystal structure. While the atoms/molecules can differ, mathematicians have found out that there are only about 200 distinct ways to make a repeating pattern in 3D with no gaps or overlaps (and only 17 for 2D). This might seem low, but the point is that while tiny details may change, there’s only so many ways to combine the symmetries you can find, like reflections or rotations, and still fill up all of space (or your wall).
The image above is a high-resolution transmission electron micrograph literally showing you the atoms in silica (silicon oxide) – the material that makes up regular glass. On the left, it’s a crystal and the dots on the bottom show you in red and green where the different atoms are in a hexagon arrangement. Around 3/4 of the way to the right you see that the atoms are no longer always in hexagons and the shapes start to change. This side is amorphous.
Liquid crystals are everywhere now (if you’re looking at this on a computer, your display is probably LCD, and a decent chance any TV you looked at lately is an LCD too). They’re another one of those weird in-between states like we see in rheology. Liquid crystals are liquids based on their mechanical properties, but their molecules show some large-scale ordering that resembles solid crystals. This is because the molecules in liquid crystals tend to be relatively large, like a polymer chain, so you make distinct structures by lining them up, but it can also still be hard to pack them closely to make a true solid. The first liquid crystal was actually found studying cholesterol!
Most LCDs are based on liquid crystals in the nematic phase seen above. (Although evidently not LCD TVs) Because the molecules are asymmetric, they can be oriented by electric fields because their electrons will be pulled by the electric force. The power in an LCD is basically to turn on and off the voltage to twist the crystals. This twisting is done to change how light passes through. A bunch of nematic liquid crystals lined up next to each other essentially act as a filter called a polarizer and line up the waves of light passing through. At the top and bottom layer of your display are two permanently oriented filters that are perpendicular to each other, an arrangement which would not let any light pass through without the crystals being lined up in a way to help align the light somewhere in between. (This is also why you can sort of see the pixels of LCDs at off-angles and why the picture can look so off away from the center of LCD TVs – the light is really only lined up for someone looking straight through the display.)